Giorgio Vasari was commissioned to complete the
frescoes on the walls of the Salone dei Cinquecento (The Hall of 500) in the Palazzo
Vecchio in Florence, Italy. Originally Michelangelo and Leonardo da Vinci were commissioned
to do the project. Michelangelo only made a cartoon (a mock up sketch on paper)
that was then stolen. Leonardo began his fresco, only for it to be damaged in a
fire and left unfinished.
| Peter Paul Ruben's drawing of The Battle of Anghiari c. 1603 Image courtesy of markldiaz on Flickr Creative Commons |
Many art historians believe that Vasari did not destroy
Leonardo’s unfinished masterpiece by creating his new frescoes over it but
rather preserved it in some way. Current research has shown that rather than
painting on the original wall, Vasari built a new wall in front of the old one
leaving only a few centimeters between the new one and the original. He also
wrote on a flag held by a flag-bearer in the fresco that lies on that new wall,
“Cerca Trova” (Search and Find)
furthering the idea that Leonardo’s work is still there to be found. Art
historians, conservers, and scientists have
been working together to determine whether Leonardo’s work lies behind Vasari’s
and have come up with some really interesting results. By drilling tiny holes
in Vasari’s fresco they have gained access to the original wall and some paint
pigments that suggest Leonardo’s work is on the wall behind.
Based on my knowledge of Vasari, his respect for Leonardo
and his belief of the artist as a genius (see previous post), I believe it to
be more than possible that Vasari couldn’t bring himself to cover over Leonardo’s
work and that he left it intact to be found and marveled over.
For more information about the search of the Lost Leonardo
please watch the video below:
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